Top of the Pops

1973–1986 Logo

Top of the Pops, also known as TOTP, is a British music chart television programme, made by the BBC and originally broadcast weekly between 1 January 1964 and 30 July 2006. It was traditionally shown every Thursday evening on BBC1, before being moved to Fridays in 1996, and then to Sundays on BBC Two in 2005. Each weekly programme consisted of performances from some of that week's best-selling popular music artists, with a rundown of that week's singles chart. Additionally, there was a special edition of the programme on Christmas Day (and, until 1984, a second such edition a few days after Christmas), featuring some of the best-selling singles of the year. Although the weekly show was cancelled, the Christmas special has continued. It also survives as Top of the Pops 2, which began in 1994 and features vintage performances from the Top of the Pops archives. In the 1990s, the show's format was sold to several foreign broadcasters in the form of a franchise package, and at one point various versions of the show were shown in nearly 100 countries. Editions of the programme from the 1970s are being repeated on most Thursdays on BBC Four. 

Procol Harum-Whiter Shade of Pale (1967)


Top of the Pops was created by BBC producer Johnnie Stewart, inspired by the popular Teen and Twenty Disc Club which aired on Radio Luxembourg. The show was originally based on the Top 20. By 1970 the Top 30 was being used and the show was extended from 30 to 45 minutes duration. The show was also now shown in colour following the BBC1 upgrade in November 1969. A switch to the Top 40 was made in 1984. The show saw many changes through the decades, in style, design, fashion and taste. It periodically had some aspect of its title sequence, logo and theme tune, format, or set design altered in some way, keeping the show looking modern despite its age. The programme had several executive producers during its run (although not all were billed as such), in charge of the overall production of the show, although specific content on individual shows was sometimes decided by other producers. When Stewart left the show in 1973, after nearly 10 years in charge, he was replaced by Robin Nash. Stewart, Nash and Michael Hurll all made brief returns to the show as producers after they left, in 1976, 1981 and 1991-2 respectively. Stewart devised the rules which governed how the show would operate: the programme would always end with the number one record, which was the only record ever repeated from the previous week. The show would include the highest new entry and the highest climber on the charts, and omit any song going down in the chart. Tracks could be featured in consecutive weeks in different formats. For example, if a song was played over the chart countdown or the closing credits, then it was acceptable for the act to appear in the studio the following week. These rules were sometimes interpreted flexibly and were more formally relaxed from 1997 when records descending the charts were featured more regularly, possibly as a response to the changing nature of the Top 40 (in the late 1990s and early 2000s climbers in the charts were a rarity, with almost all singles peaking at their debut position). When the programme's format changed in November 2003 (three months after the appointment of Andi Peters as Executive Producer), it concentrated increasingly on the Top 10. Later, during the BBC Two era, the Top 20 was regarded as the main cut-off point, with the exception made for up and coming bands below the Top 20. Singles from below the Top 40 (within the Top 75) were shown if the band were up and coming or had a strong selling album. If a single being performed was below the Top 40, just the words "New Entry" were shown and not the chart position.

Jethro Tull-The Witch's Promise (1970)

The first show

Top of the Pops began on New Year's Day 1964 in Studio A on Dickenson Road in Rusholme, Manchester, which the BBC had bought from Mancunian Films in 1954. DJs Jimmy Savile and Alan Freeman presented the first show, which featured (in order) The Rolling Stones with "I Wanna Be Your Man", Dusty Springfield with "I Only Want to Be with You", The Dave Clark Five with "Glad All Over", The Hollies with "Stay", The Swinging Blue Jeans with "Hippy Hippy Shake" and The Beatles with "I Want to Hold Your Hand", that week's number one (throughout its history, the programme always finished with the best-selling single of the week). For the first three years Savile rotated with three other presenters: Alan Freeman, Pete Murray and David Jacobs. A Mancunian model, Samantha Juste, was the regular "disc girl". The silhouette which ended each programme was that of Stewart, the show's producer, although many people assumed this was Billy Fury. Local photographer Harry Goodwin was hired to provide shots of non-appearing artists, and also to provide backdrops for the chart run-down. He would continue in the role until 1973. In 2010, the Victoria and Albert Museum mounted a major exhibit of his photographs My Generation: The Glory Years of British Rock–Photographs from Top of the Pops 1964–1973, and again published an accompanying book. In October 2011, My Generation: The Glory years of British Rock was displayed for free at The Public in West Bromwich.

The Who

Paul McCartney


The show was originally intended to run for only a few programmes but lasted over 42 years, reaching landmark episodes of 1000, 1500 and 2000 in the years 1983, 1992 and 2002 respectively. During its heyday in the 1970s, it attracted 15 million viewers each week. Largely due to the varying levels of availability of chart acts throughout the 1970s and into the early 1980s, the show featured tightly choreographed dance troupes such as Ruby Flipper, Legs & Co. and Zoo. The original troupe, the Go-Jos, were succeeded by Pan's People, who were used when an act was unable to appear in person and no footage of them was available –a common occurrence in the era before promotional videos. By the mid-1980s the troupes were dropped and the audience took a more active role, often dancing in more prominent areas such as behind performing acts on the back of the stage, and on podiums. During the late 70s, a 40 second version of Led Zeppelin's "Whole Lotta Love" based on the CCS release, but specially re-recorded by CCS with same personnel from their first album, was the programme's music theme.

Late 70s Opening Titles

Atomic Rooster-Devil's Answer (1971)


In 1980, producer Robin Nash was replaced by Michael Hurll, who introduced more of a party atmosphere to the show, with performances often accompanied by balloons and cheerleaders, and more audible audience noise and cheering. Paul Ciani took over in 1988.

Peter Gabriel-No Self Control (1980)

1991: 'Year Zero' revamp

From 1967, the show had become closely associated with the BBC radio station Radio 1, usually being presented by DJs from the station, and between 1988 and 1991 the programme was simulcast on the radio station in FM stereo. However during the last few years of the 1980s the association became less close, most notably in a radical shake-up known as the 'Year Zero' revamp. Following a fall in viewing figures and a general perception that the show had become uncool (acts like The Clash had refused to appear in the show in previous years), a radical new format was introduced by incoming Executive Producer Stanley Appel (who had worked on the programme since 1966 as cameraman, production assistant, director and stand-in producer) in October 1991, when the Radio 1 DJs were replaced by a team of relative unknowns, such as Claudia Simon and Tony Dortie who had previously worked for CBBC, 17-year-old local radio DJ Mark Franklin, Steve Anderson, Adrian Rose and Elayne Smith, who was replaced by Femi Oke in 1992. A brand new theme tune, title sequence and logo were introduced, and the entire programme moved from BBC Television Centre in London to new studios in Elstree.

1991-1995 Opening Titles

The new presenting team would take turns hosting either in pairs or solo, and would often introduce acts in an out-of-vision voiceover over the song's instrumental introduction. They would sometimes even conducted short informal interviews with the performers, and initially the Top 10 countdown was run without any voiceover. Rules relating to performance were also altered meaning acts had to sing live. To incorporate the shift of dominance towards American artists, more use was made of out-of-studio performances, with acts in America able to transmit their song to the Top of the Pops audience via satellite. These changes were widely unpopular and much of the team were axed within a year, leaving the show presented solely by Dortie and Franklin by 1993, on a week-by-week rotation.


By 1994 much of the 'Year Zero' revamp was quickly undone and the arrival of Ric Blaxill as producer in February 1994 signalled a return to presentation from established Radio 1 DJs Simon Mayo, Mark Goodier, Nicky Campbell and Bruno Brookes. Blaxill expanded the use of via satellite performances, taking the acts out of studios and concert halls and setting them against landmark backdrops. As a consequence, Bon Jovi performed "Always" from Niagara Falls and Celine Dion beamed in "Think Twice" from Miami Beach. In 1995 the last remnants of the Year Zero revamp were replaced when a new title sequence, logo and theme tune were introduced (the logo having first been introduced on the new programme Top of the Pops 2 some months previous), coinciding with the introduction of a new set. Blaxill also began experimenting with handing presenting duties to celebrities, commonly contemporary comedians and pop stars who were not in the charts at that time. In an attempt to keep the links between acts as fresh as the performances themselves, the so-called "golden mic" was used by, amongst others, Kylie Minogue, Meat Loaf, Harry Hill, Jack Dee, Lulu and Jarvis Cocker. Radio 1 DJs still presented occasionally, notably Lisa I'Anson, Steve Lamacq, Jo Whiley and Chris Evans. TOTP was traditionally shown on a Thursday night, but was moved to a Friday starting on 14 June 1996, originally at 7 pm, but then shifted to 7.30 pm, a change which placed the programme up against the soap opera Coronation Street on ITV. This began a major decline in audience figures as fans were forced to choose between Top of the Pops and an episode of the soap.

1995-1998 Logo 


In 1997, incoming producer Chris Cowey phased out the use of celebrities and established a rotating team (similar to the 1991 revamp, although much more warmly received) of former presenters of youth music magazine The O-Zone Jayne Middlemiss and Jamie Theakston as well as Radio 1 DJs Jo Whiley and Zoë Ball. The team was later augmented by Kate Thornton and Gail Porter. Chris Cowey in particular instigated a set of 'back to basics' changes when he took over the show. From 1998 to 2003, a drum and bass remixed version by Ben Chapman of the Led Zeppelin's classic "Whole Lotta Love" theme tune -previously used in the 1970s- was introduced, accompanied by a new 1960s-inspired logo and title sequence. Cowey also began to export the brand overseas with localised versions of the show on air in Germany, France, Holland, Belgium and Italy by 2003. Finally, the programme returned to its previous home of BBC Television Centre in 2001, where it remained until its cancellation in 2006.

1998-2003 Opening Titles

2003: All new Top of the Pops

On 28 November 2003, the show saw one of its most radical overhauls since the ill-fated 1991 'Year Zero' revamp in what was widely reported as a make-or-break attempt to revitalise the long-running series. In a break with the previous format, the show played more up-and-coming tracks ahead of any chart success, and also featured interviews with artists. The launch show, which was live and an hour long, was notable for a performance of "Flip Reverse" by Blazin' Squad, featuring hordes of hooded teenagers choreographed to dance around the outside of BBC Television Centre. Although the first edition premièred to improved ratings, the all new format, hosted by MTV presenter Tim Kash, quickly returned to low ratings and brought about scathing reviews. Kash continued to host the show, but new co-hosts and Radio 1 DJs Reggie Yates and Fearne Cotton were introduced before Kash was completely dropped by the BBC, later taking up a new contract at MTV. The show continued to be co-hosted by Reggie Yates and Fearne Cotton every Friday night until 8 July 2005. On 30 July 2004, the show took place in Gateshead to celebrate the show's 40th anniversary. Girls Aloud, Busted, Will Young and Jamelia were among the performers that night.

Logo since 2003

2004-2005: Move to BBC Two

By November 2004, viewing figures had plummeted to below three million, prompting announcement by the BBC that the show was going to move again, to Sunday evenings on BBC Two, thus losing the prime-time slot on BBC One that it had maintained for more than forty years. This move was widely reported as a final "sidelining" of the show, and perhaps signalled its likely cancellation. At the time, it was insisted that this was so that the show would air immediately after the official announcement of the new Top 40 chart on Radio 1, as it was thought that by the following Friday, the chart seemed out-of-date. The final Top of the Pops to be shown on BBC One (barring Christmas and New Year specials) was broadcast on Monday 11 July 2005, which was edition number 2,166. The first edition on BBC Two was broadcast on 17 July 2005 at 7pm with presenter Fearne Cotton. After the move to Sundays, Cotton continued to host with a different guest presenter each week, such as Rufus Hound or Richard Bacon. On a number of occasions however, Reggie Yates would step in, joined by female guest presenters such as Lulu and Anastacia. Viewing figures during this period averaged around 1.5 million.

2006: Cancellation

On 20 June 2006, the show was formally cancelled and it was announced that the last edition would be broadcast on 30 July 2006. Edith Bowman co-presented its hour-long swansong, along with Jimmy Savile (who had presented the first show), Reggie Yates, Mike Read, Pat Sharp, Sarah Cawood, Dave Lee Travis, Rufus Hound, Tony Blackburn and Janice Long. The final day of recording was 26 July 2006 and featured archive footage and tributes, including The Rolling Stones –the very first band to appear on Top of the Pops– opening with "The Last Time", the Spice Girls, David Bowie, Wham!, Madonna, Beyoncé, Gnarls Barkley, The Jackson 5, Sonny and Cher and Robbie Williams. The show closed with a final countdown, topped by Shakira, as her track "Hips Don't Lie" (featuring Wyclef Jean) had climbed back up to number one on the UK Singles Chart earlier in the day. The show ended with Savile ultimately turning the lights off in the empty studio. Fearne Cotton, who was the current presenter, was unavailable to co-host for the final edition due to her filming of ITV's Love Island in Fiji but kicked off the show with a quick introduction recorded on location, saying "It's still number one, it's Top of the Pops". BARB reported the final show's viewing figures as 3.98 million. Since the last episode featured no live acts in the studio, the honour of being the last act to actually perform on a weekly episode of TOTP goes to Snow Patrol with "Chasing Cars" in the penultimate edition, the last act ever featured visually on a weekly Top of the Pops was Girls Aloud, as part of the closing sequence of bands performing on the show throughout the years. They were shown performing "Love Machine". The magazine and TOTP2 have survived despite the show's axing, and the Christmas editions also continue. However, the TOTP website, which the BBC had originally promised would continue, is now no longer updated, although many of the old features of the site –interviews, music news, reviews– have remained, now in the form of the Radio 1-affiliated TOTP ChartBlog accessible via the remains of the old website. Top of the Pops magazine has been running since February 1995, and filled the void in the BBC magazine portfolio where Number One magazine used to be. It began much in the mould of Q magazine, then changed its editorial policy to directly compete with popular teen celebrity magazines.

Top of the Pops 2

TOTP2, which uses archive footage from as early as the late 1960s, began broadcasting on BBC Two on 17 September 1994. The early series were narrated by BBC Radio 2 DJ Johnnie Walker, before colleague and fellow DJ Steve Wright took over as narrator in 1997 and hosted until being replaced by Mark Radcliffe in 2009. The presenter never appears in-vision but provides voice-over commentary and introduces each piece. The original show format consisted of archival footage apart from the last performance, which was usually a more recent performance or an exclusive performance recorded in the main TOTP studio for TOTP2. In 2003 the BBC started to run a daily version of TOTP2 in which celebrities chose their favourite archive performances. These celebrities, typically comedians, have included Vic Reeves & Bob Mortimer, Phill Jupitus and Jack Dee. There have also been a number of TOTP2 specials in which a "greatest hits" show dedicated to one musician or band is put together from both archive and new footage. The graphical style for the show generally followed the style used on the main show. TOTP2 used modified versions of the 1998-2002 and the updated 2002-2003 titles during those eras of the show. For the original 1994-1997 titles, a separate title sequence was made for TOTP2. This again occurred with the 2003-2004 titles, with a new style of title sequence based around the newly introduced TOTP spiral logo, but continuing to use the original version of "Whole Lotta Love" as the theme tune.

Top of the Pops 2 logo

In 2004, the incoming controller of BBC Two, Roly Keating, announced that the programme was to be "rested". The move was part of a format change for the main Top of the Pops programme, which saw it being moved from its BBC One Friday night primetime slot to a new slot on Sunday nights on BBC Two. The new format merged the TOTP format of new performances with the TOTP2 format of archival footage. This format ran until the show's demise in May 2006. The last showing of the original run of TOTP2 was the TOTP2 Christmas Special shown on Christmas Eve 2005 at 19:30 on BBC Two. Repeats of edited versions of TOTP2 began on Dave channel from 2004 to 2008, which were also shown on Yesterday channel in 2010. These edited repeats of TOTP2 resumed airing on Dave in April 2011 and are still shown to this date. After the axing of the main Top of the Pops programme, TOTP2 returned to BBC Two on 30 September 2006. The new show format was similar to the earlier TOTP2, but also included live/original BBC performances. The first 50-minute special included Nelly Furtado, Jamelia and Razorlight, before it reverted to a 30-minute weekly format at 20:00. These episodes were produced and broadcast in the 4:3 aspect ratio like the majority of its archive material, except for the first two episodes that were shown in the 16:9 aspect ratio to accommodate new performances. The BBC planned to replace the main Top of the Pops special on Christmas Day 2008 with a special edition of TOTP2, that would have included some live performances and archive footage as well as the 2008 Christmas number one UK single; these plans were later scrapped due to complaints by viewers. This led to Simon Cowell asking the BBC to buy the rights to the Top of the Pops brand so he could produce a version of it for ITV1; the BBC later refused Cowell's offer and announced that they would show TOTP on Christmas Day on BBC One as well as the TOTP2 specials on BBC Two. From 2007 to the present day, TOTP2 continues with a few new and/or repeated editions and a Christmas edition each year.

David Bowie-The Jean Genie (1973)

Christmas & New Year's Eve Specials

Although the weekly Top of the Pops has been cancelled, the Christmas Specials have continued, hosted by Fearne Cotton and Reggie Yates. The Christmas Specials are broadcast on Christmas Day afternoon on BBC One. In 2008 and 2009, a New Year's Eve Special was also broadcast. The New Year's Eve Special returned for 2012 along with the regular Christmas Special. Most recently, Top of the Pops returned for Christmas 2013, with a Christmas Special and a New Year's Eve Special.

BBC Four Reruns

In April 2011, the BBC began to reshow Top of the Pops on Thursday nights on BBC Four beginning with the equivalent show from 35 years earlier in the same 7:30-8pm slot. The starting point, 1 April 1976, was chosen because it was the point at which most episodes remain in the archive. The repeats are continuing as at November 2013, repeating episodes from 1978. However, following the Jimmy Savile allegations, from October 2012, episodes featuring Jimmy Savile ceased to be broadcast. Following the arrest of Dave Lee Travis by officers investigating Savile, episodes featuring Travis are also being omitted.

Queen-Good Old Fashioned Lover Boy (1977)

Performers & Performances

Green Day hold the record for the longest Top of the Pops performance: "Jesus of Suburbia" broadcast on 6 November 2005, lasted 9 minutes and 10 seconds. There is uncertainty about what was the shortest performance. In 2005, presenter Reggie Yates announced on the show that it was Super Furry Animals with "Do or Die", broadcast on 28 January 2000, clocking in at 95 seconds. However, "It's My Turn" by Angelic was 91 seconds on 16 June 2000 and, according to an August 2012 edition of TOTP2, "Here Comes the Summer" by the Undertones was just 84 seconds on 26 July 1979. Cliff Richard appeared the most times on the show, with almost 160 performances. Status Quo were the most frequent group with 87 performances.

Black Sabbath-Never Say Die! (1978)

Missing episodes

Due to the BBC's former policy of deleting old programmes, the vast majority of the episodes from the first ten years of the programme's history have been lost, including the only live appearance by The Beatles. Of the first 500 episodes (1964–73) only about 20 complete recordings remain in the BBC archives. The earliest surviving footage dates from 26 February 1964 and consists of performances by Billy J. Kramer and The Dakotas and The Dave Clark Five. Some programmes exist only partially (largely performances that were either pre-recorded or re-used in later editions). There are also two examples of rehearsal footage, which are both from 1965, one which includes Alan Freeman introducing The Seekers, and another with Sandie Shaw rehearsing "Long Live Love" both believed to be for the end-of-year Christmas Special. There are also cases of shows that only exist in their raw, unedited form. The oldest complete episode in existence was originally transmitted on Boxing Day in 1967 (only four complete recordings from the 1960s survive, two of which have mute presenter links). The most recent that is not held is dated 8 September 1977. All editions after this date exist in full. Some segments of TOTP which have been wiped by the BBC do survive in some form owing to having been included in other programmes, either by the BBC itself or by foreign broadcasters. The only surviving footage of The Beatles on the programme, for instance, comes from its re-use in episode one of 1965 Doctor Who serial The Chase. Additionally a number of recordings are believed to exist in private collections. There was no TOTP on 20 November 1969 due to the Apollo 12 Moon landing. The 5 April 1984 episode was never made, as BBC1 was off air the entire day due to industrial action. Additionally, the programme was forced off the air for several weeks by industrial action by the Musicians' Union in both 1974 and 1980.

The Beatles-Ticket to Ride (surviving extract, 1965)


Initially acts performing on the show mimed to the commercially released record, but in 1966 after discussions with the Musicians' Union, miming was banned. After a few weeks during which some bands' attempts to play as well as on their records were somewhat lacking, a compromise was reached whereby a specially recorded backing track was permitted –as long as all the musicians on the track were present in the studio. The TOTP Orchestra, led by Johnny Pearson augmented the tracks when necessary. This set-up continued until 1980, when a protracted Musicians' Union strike resulted in the dropping of the live orchestra altogether and the use of pre-recorded tracks only. This accounts for a number of acts who never appeared on the show due to their reluctance to perform in this way. Highlights have included Jimi Hendrix who, on hearing someone else's track being played by mistake (in the days of live broadcast), mumbled "I don't know the words to that one, man", Shane MacGowan of the Pogues' drunken performance of "Fairytale of New York", a performance of "Roll with It" by Oasis in which Noel and Liam Gallagher exchanged roles with Noel miming to Liam's singing track and Liam pretending to play guitar, and John Peel's appearance as the mandolin soloist for Rod Stewart on "Maggie May". In 1989, the Stone Roses performed "Fools Gold/What the World Is Waiting For" on the show. Lead singer Ian Brown swung his microphone around while he was supposed to sing. Two other memorable incidents included performances by Marillion; an appearance for "Garden Party" saw Fish miming perfectly except for the line "I'm miming" (which was changed from the original line for broadcast purposes), when he simply pointed at his closed lips. Two years later, Fish lost his voice before an appearance for "Lavender" and, despite only needing to mime, had the lyrics placed on large pieces of card and flipped them over in time with the recorded version, although he had a problem on one occasion with tearing off a sheet, only to quickly catch up in time.

Marillion-Lavender (1985)

For virtually the whole 'Live Sound' period, the Sound Supervisor was Dickie Chamberlain, who reproduced the sound of the original discs with a fraction of the kit available in the recording studios. The miming policy also led to the occasional technical hitch. A famous example of this is the performance of "Martha's Harbour" in 1988 by All About Eve where the televised audience could hear the song but the band could not. As the opening verse of the song beamed out of the nation's television sets, the unknowing lead singer Julianne Regan remained silent on a stool on stage while Tim Bricheno (the only other band member present) did not play his guitar. An unseen stagehand apparently prompted them that something was wrong in time to mime along to the second verse. The band were invited back the following week, and chose to sing live. Another hitch was Simon Le Bon singing with Duran Duran. He was posing with his microphone which promptly flew off the stage and he was left to sing into a microphone stand; he just shrugged his shoulders and carried on. Occasionally bands played live, examples in the 1970s being The Who, John Otway, Sham 69, Eddie and the Hot Rods, Typically Tropical, and David Bowie (with "Heroes"). In 1980, heavy metal band Iron Maiden played live on the show when they refused to mime to their single "Running Free".

David Bowie-Heroes (1977)

For a few years from 1991 the show adopted a live vocal to pre-recorded backing track policy. Performing "Smells Like Teen Spirit", Nirvana singer Kurt Cobain dropped his voice an octave and changed the opening line; the band also made it very clear that they were not playing their instruments. It also exposed a number of poor live singers, and was dropped as a general rule. It was not helped by the fact that it coincided with a sudden upsurge of chart success for dance tracks which were heavily sample-based and whose sound could not easily be reproduced in a TV studio –sampled vocals from other tracks had to be sung live. One example of an artist who was exposed as a poor live singer was Kelly Overett of the Italian Eurodance act Cappella. During a 1994 performance on the show she sang "Move on Baby", but it was evident that her performance on the show would also lead to questions about whether she actually sang on the group's songs. Those questions would later be answered several months later when Overett was dropped by Cappella and admitted that she never sang on any of their recordings. Muse insisted on playing live and were allowed on their appearances on the show. In its final few years miming had become less and less common, especially for bands, as studio technology became more reliable and artists were given the freedom to choose their performance style. Former Executive Producer Andi Peters stated that there was "no policy" on miming and said that it was entirely up to the performer if they wanted to sing live or mime.

Muse-Knights of Cydonia (2006)


A number of performers have sent up the format in various ways. Mainly this has been performers who disliked the mime format of the show, often as a more effective protest against this rather than just refusing to appear. When Fairport Convention appeared to promote their 1969 hit "Si Tu Dois Partir", drummer Dave Mattacks wore a T-Shirt printed 'MIMING'. When The Smiths appeared on the show to perform their single "This Charming Man", lead singer Morrissey was unhappy about having to lip-sync and so held a bunch of gladioli on the stage instead of a microphone. In the 1970s The Stranglers performed their song "No More Heroes", with Hugh Cornwell deliberately miming terribly. Also, during the guitar solo Cornwell "played" the guitar with his teeth and drummer Jet Black sat in the opposite direction from the drum kit and drummed the air. They performed similar antics two years later when miming their hit "Duchess". In 1977, Australian punk band The Saints appeared when their minor hit "This Perfect Day" made the lower reaches of the chart. Singer Chris Bailey deliberately mimed the lyrics out of time before continuing to sing after allowing the microphone to fall out of his hand. Meanwhile guitarist Ed Kuepper stood stock still, staring blankly away from the camera whilst strumming intermittently at a fraction of the fast pace of the guitar on the record. During their performance of "Tom Hark" in 1980, the drummer for The Piranhas used plastic fish instead of drum sticks. Northern Irish punk band Stiff Little Fingers appeared a few times on the show and each time didn't take it seriously. Normally singer Jake Burns would pull silly faces and flirt with the camera while playing. Drummer Jim Reilly would purposely hit the drums in a repetitive manner that didn't match up with the song and at times would pull the drum kit apart before the song was finished. And once, while playing the song "Just Fade Away", Reilly played a bodhrán rather than drums. While performing their 1982 hit "Jackie Wilson Said (I'm in Heaven When You Smile)", the band Dexys Midnight Runners were seen performing in front of a projection of the darts player Jocky Wilson instead of soul singer Jackie Wilson. Dexys frontman Kevin Rowland later said in an interview that the use of the Jocky Wilson picture was his idea and not a mistake by the programme makers as is sometimes stated. When Oasis mimed to "Whatever" on Top of the Pops in 1994, one of the cello players from the symphony was replaced by rhythm guitarist Bonehead, who clearly had no idea how the instrument should be played. Towards the end of the song, he gave up the pretence and started using the bow to conduct. A woman plays his rhythm guitar. On another occasion Liam walked away from the microphone and chewed gum during a 2005 performance of "Lyla". Faith No More lead singer Mike Patton also showed he was obviously miming a performance by sticking his tongue out of the side of his mouth during close-up shots. Also, their 1997 performance of "Ashes to Ashes" on the show featured Robin Guy (of the band Sack Trick) on drums instead of their actual drummer. He apparently wore a "Puffy" mask as a joke in reference to Faith No More's actual drummer, Mike "Puffy" Bordin. Mike Patton can be seen giving Guy the finger during the performance, supposedly because the mask fell off (or was taken off on purpose) as soon as the performance started. Singer Les Gray of Mud went on stage to perform with a ventriloquist dummy during the performance of "Lonely This Christmas" and had the dummy lip-synch to the voice-over in the middle of the song. During Mott The Hoople's performance of their single "Roll Away the Stone" in 1973, drummer Dale Griffin plays with very large, oversized drumsticks. The Kinks recorded "Top of the Pops" on their 1970 album Lola Versus Powerman and the Moneygoround, Part One, an album highly critical of the music business.

Mott The Hoople-Roll Away The Stone (1973)

For Orbital's debut TOTP performance they just stood around, occasionally leaning forward to press a button on their sequencers. One of their machines had its power plug deliberately draped across it, to show the equipment wasn't even plugged in. EMF appeared on the show with one of the guitarists strumming along while wearing boxing gloves. In Blur's performance of "Charmless Man" in 1995, Dave Rowntree decided to play with oversized drumsticks, while Graham Coxon, played a mini guitar. In Green Day's first Top of the Pops appearance in 1994, the band played the song "Welcome to Paradise". Frontman Billie Joe Armstrong wore an otherwise plain white t-shirt with the phrase 'Who am I fooling anyway?' handwritten on it, most likely a reference to his own miming during the performance. He could also be seen not playing his guitar during the instrumental bridge in the song. The performance of "Maggie May" by Rod Stewart and The Faces featured John Peel miming on mandolin. Near the end of the song, Rod and the Faces begin to kick around a football. This is despite the fact that the music can be still heard playing in the background. Eels performed "Novocaine for the Soul" playing on toy instruments, which they then trashed. The Cure were known for their abhorrence for miming their songs whilst on TOTP and on several occasions made it obvious they were not playing their parts –using such stunts as playing guitar left-handed, miming very badly out of synch and dressing their instruments up in clothes. During "Sing" by Travis, a pie fight broke out which aped the music video of the song. Even though the members of the band got involved, the music still played in the background. Ambient house group The Orb notably sat and played chess while an edited version of their 39:57-minute single "Blue Room" played in the background. Depeche Mode's performance of "Barrel of a Gun" in 1997 featured famous Dutch photographer and director Anton Corbijn who mimed playing the drums. In Nirvana's only appearance on the show, Kurt Cobain deliberately sang their 1991 hit "Smells like Teen Spirit" in a low monotonous voice (he later claimed to be impersonating Morrissey) and the guitarists waved their guitars around above their heads during the famous guitar intro of the song. When electro-pop producer Richard X performed his 2003 hit "Finest Dreams" he deliberately bashed the keys of his two keyboards out of time, and even proceeded to prepare and serve drinks to the dancing girls whilst the backing track played.

International versions

In Europe, the TOTP format was sold to RTL in Germany in the 1990s, and aired on Saturday afternoons. It was very successful for a long time, with a compilation album series and magazine. However, in 2006 it was announced that the German show would be ending. The Italian version (broadcast on Rai 2 and after on Italia 1) also ended on 2006, but in 2010, in February, it came back in a new edition, broadcast by Rai 2, and a further new one started on the same channel; the show was cancelled in October 2011. The French version of the show, ended by September 2006. Domestic versions of the show continued to run in the Netherlands until the end of December 2006. BBC Prime used to broadcast re-edited episodes of the BBC version, the weekend after it was transmitted in the UK. Ireland began transmitting Top of the Pops in November 1978 on RTE2. This was the UK version being transmitted at the same time as on BBC. The broadcasts ceased in late 1993. Top of the Pops had short-lived fame in the United States. In 1987, the CBS television network decided to try an American version of the show. It was hosted by Nia Peeples and even showed performances from the BBC version of the programme. The show was presented on late Friday nights as part of CBS Late Night, and lasted almost a year. In 2002, BBC America presented the BBC version of Top of the Pops as part of their weekend schedule. The network would get the episodes one week after they were transmitted in the UK. BBC America then tinkered with the show by cutting a few minutes out of each show and moving it to a weekday time slot. On 23 January 2006, Lou Pearlman made a deal to bring Top of the Pops back to the airwaves in the United States. It was expected to be similar to the 1987 version, but it would also utilise the Billboard magazine music charts, most notably the Hot 100 chart. It was supposed to be planned for a possible 2006 or 2007 launch, but with several lawsuits against Lou and his companies (which resulted in his conviction in 2008), as well as the cancellation of the UK version, the proposed US project never went forward. On 19 August 2006, VH1 aired the UK series' final episode. The United States had its own similar series, American Bandstand, which aired nationally on ABC from 1957 to 1987 (although it would continue in first-run syndication until 1988 and end its run on USA in 1989). Similar series also included Soul Train (1970–2006, featuring R&B artists), Club MTV (1986–92, featuring Dance Music acts; hosted by Downtown Julie Brown, an alumnus of TOTP as part of the show's last dance troupe Zoo) and Solid Gold (1980–88; like the early TOTP, it also used dance troupes). Canada's version of this (mostly of American Bandstand and Soul Train) was Electric Circus (1988–2003), which was also seen in the USA, and which had a national chart (mostly of dance music and some pop) as well as live performances, and was based on a local late 70's program in Toronto called CITY TV Boogie. 

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